devilof76
Super Freak
Josh...
...what is it that makes me want to keep disagreeing with you, even after CAhobbit nearly had me won over?
...what is it that makes me want to keep disagreeing with you, even after CAhobbit nearly had me won over?
I agree. I don't get it.
Josh...
...what is it that makes me want to keep disagreeing with you, even after CAhobbit nearly had me won over?
Thats why we call him THE Josh.
Right... that had nothing to with the fact that Gollum isn't even in FotR and yet is a main player in the remaining two books. If you are going to comment at least please think about what you are saying.
I fully agree with you there, Josh. I could watch LOTR over and over and never tire of it. Each times it moves me as much as the first.
Pan's, I greatly enjoyed....but it just didn't have the same impact on me emotionally as LOTR. Could be because I was already familiar with the LOTR material and it was great seeing how my vision after reading the books, was so similar to what PJ gave us. It was a project of such enormous scale and PJ delivered.
Are people actually defending LOTR in here? LOL! The movies are epic masterpieces, no need!!
Agreed. I think it's just strait thinking members laughing at the people crying sacrilege.
Us -->
Them -->
My only gripe in this thread was the implication that GDT isn't up to snuff to direct a LOTR movie. I would argue that his current filmography is far more impressive than Jackson's pre-LOTR work, and a much clearer indicator that he could direct big-budget fantasy.
Pan's Labyrinth didn't hit you emotionally? I don't understand.
Made me cry. LOTR did not.
It isn't a matter of personal preference. It's a matter of recognizing potency in cinematic expression...
You're probably right.
I respond very strongly to tragedies based in the history of the early 20th century. I hold the late 19th century as one of the highest points in all of human culture; even higher than Golden Age Greece in many regards. There was a hope and optimism blooming that had never before been possible, or believed possible. It was like all of the most beautiful fairy tales were coming to life in the industrialized world (regardless of the way it is depicted today). Then it all changed, and it changed so hard and fast that no one understood (don't understand to this day) why or how it could all go to hell so completely and so brutally. It was Mahler's 9th in real time. One moment Einstein was expounding relativity, the next moment, swastikas were covering Europe. It's the emotional palette that Tolkien worked from, but he separated his story from the history so that it could stand on its own. Pan's Labyrinth is set fully in that history, so it hits me much harder. The emotional impact is more acute because it's that much more real to me, being as heavily invested in that time period as I am.
Enter your email address to join: