the angry orc
Super Freak
couple of manhattan...
What, Alan Moore's insanity is off-limits now?
The guy is crazy. That's pretty common among brilliant people. I have enormous respect for the guy but he's not right in the head. Fortunately for all of us we spews all that craziness out on the page and we have the pleasure of reading it.
But still, he's nuts.
OK, if you say so.
I hope you enjoy your "Only Person in the World Who Doesn't Think Alan Moore Is Crazy" title. If you could fit it on big velvety crown it would look pretty sweet.
I am actually quote impressed with this figure. You can get them on ebay for around $85 and it is worth that. The suit is real rubber and harder rubber for the armor pieces, it is not molded on like I though it would be. He has a very cool ammunition belt and holsters for the guns and knife.The mask comes on and off easy, two guns, two extra hands, knife and display base. I like it and I would recommend it no problem.
You know, if DC was the one company that had difficulties working with Alan Moore I might be a little sympathetic to the "OMG DC IS EVIL!" mentality that Moore seems to have but as it stands you can't go from publisher to publisher burning bridges with every one of them and expect me to think it's always the publisher's fault.
The guy's writing kicks ass. That's all that matters to me. He's just firmly established himself as unrealistically eccentric and demanding.
As for creators rights and "Watchmen", had Moore gotten his way and been able to use the Charleston Comics characters he would have had 0% creators rights. He'd had problems with creative rights before working with DC on "Watchmen" and he made the deal with DC anyway. He was under the impression that the rights would revert to him and Gibbons when DC allowed them to go out-of-print for a year and he was naive enough to think that was even within the realm of possibility. Whose fault is that?
The point is, even if you take a scenario in which Moore's Charleston pitch was rejected by DC and he takes the pitch elsewhere (let's just use Marvel for example) it still wouldn't fly. As owners of the copyright to "The Question" do you think DC would have allowed Moore and another publisher to publish Rorschach? Hell no. You pick your battles re: creative rights and Moore really doesn't have much of a case when it comes to "Watchmen". He deserves credit for writing the uncontested masterpiece of the comic medium but you pretty much give up your right to play the "creator's rights" card when you pitch an idea using characters that were created before you were born.
As for the "Watchmen" movie, Moore needs to be a little more reasonable in regards to Hollywood. Sure, "League of Extraordinary Gentlemen" was a disaster but it's obvious to everyone but Alan Moore that the production of the "Watchmen" film is completely opposite of that. They extended the olive branch and tried to get his blessing and cooperation but because of his naive view on the "Watchmen" rights and a disrespectful adaptation that's completely unrelated he is being stubborn.
On top of that you have people like David Lloyd painting a different picture of Moore's attitude towards film deals in the past and it's hard to feel sympathetic for Moore's current situation.
Ultimately the film is done and by most accounts it successfully translates of the greatness of the comic to the screen and has managed to do so without erasing Moore's original comic from the face of the earth, and even a "Batman & Robin"-style disaster isn't going to affect the quality of the book itself.
You know, if DC was the one company that had difficulties working with Alan Moore I might be a little sympathetic to the "OMG DC IS EVIL!" mentality that Moore seems to have but as it stands you can't go from publisher to publisher burning bridges with every one of them and expect me to think it's always the publisher's fault.
The guy's writing kicks ass. That's all that matters to me. He's just firmly established himself as unrealistically eccentric and demanding.
As for creators rights and "Watchmen", had Moore gotten his way and been able to use the Charleston Comics characters he would have had 0% creators rights. He'd had problems with creative rights before working with DC on "Watchmen" and he made the deal with DC anyway. He was under the impression that the rights would revert to him and Gibbons when DC allowed them to go out-of-print for a year and he was naive enough to think that was even within the realm of possibility. Whose fault is that?
The point is, even if you take a scenario in which Moore's Charleston pitch was rejected by DC and he takes the pitch elsewhere (let's just use Marvel for example) it still wouldn't fly. As owners of the copyright to "The Question" do you think DC would have allowed Moore and another publisher to publish Rorschach? Hell no. You pick your battles re: creative rights and Moore really doesn't have much of a case when it comes to "Watchmen". He deserves credit for writing the uncontested masterpiece of the comic medium but you pretty much give up your right to play the "creator's rights" card when you pitch an idea using characters that were created before you were born.
As for the "Watchmen" movie, Moore needs to be a little more reasonable in regards to Hollywood. Sure, "League of Extraordinary Gentlemen" was a disaster but it's obvious to everyone but Alan Moore that the production of the "Watchmen" film is completely opposite of that. They extended the olive branch and tried to get his blessing and cooperation but because of his naive view on the "Watchmen" rights and a disrespectful adaptation that's completely unrelated he is being stubborn.
On top of that you have people like David Lloyd painting a different picture of Moore's attitude towards film deals in the past and it's hard to feel sympathetic for Moore's current situation.
Ultimately the film is done and by most accounts it successfully translates of the greatness of the comic to the screen and has managed to do so without erasing Moore's original comic from the face of the earth, and even a "Batman & Robin"-style disaster isn't going to affect the quality of the book itself.
couple of quick ones...
From everything I've read Moore isn't crazy or socially inept, he's just horribly single minded. Someone posted links to an extensive interview that's on Youtube and in that he's very articulate and funny - definitely a guy you'd want to have a conversation with. He talks about when a check comes in for a movie project and he turns it over to the artist on the book, refusing to take any money, but realizing it's kind of silly to have this position, yet maintaining it anyway.
Anyone who lends their voice to The Simpsons and actively takes part in making fun of himself is fine in my book. Sanity is overrated anyway.
Why cant they do the mid-bicep cuts like the marvel legend ones? Its not as ugly. Is it for the sake of being original?
Enter your email address to join: