Q: I read online that you plan to begin shooting Dr Horrible 2 after you finish up on The Avengers. Is this true, and is there any chance you could give us an idea of what we can expect?
JW: We're not shooting right now, we're still in the early stages of writing. But we hope to make a great deal of progress this summer. And you can expect the death of someone you love.
Q: If you had continued Dollhouse, where would the story have gone?
JW: It would have been a much slower odyssey of Echo's self-creation and liberation, peppered with astonishing perversions.
Q: What was it like working with Pixar on Toy Story?
JW: It was so much fun. They were in this crappy, sprawling space in the middle of nowhere, and I spent most of my time with Lasster, Stanton, Doctor and the late, very great Joe Ramft, just making jokes, pitching ideas and watching them get sharpie head-aches from sketching. We all learned so much from that experience. mostly about sharpies.
Q: Welcome to reddit, Joss! Here's your complimentary Etch A Sketch portrait.
Huge fan of your work. Are there any early works you are embarrassed of when you look back?
edit: wording
JW: My senior thesis film was ASS. I burned the negative.
Q: Have you ever been approached to write a Doctor Who episode? Is it something you'd be interested in doing if the opportunity presented itself?
JW: The doctor is dope, but I've just spent 2 years writing other people's characters, plus I've got my Firefly kickstarter adventure. (See above.)
Q: Hi Joss. Do you use techniques to boost your creativity for writing? Do you for instance write better when you meditate, exercise, take alcohol etc.?
JW: I like movie scores. They really help put me in the moment, no matter where I am. Avengers owes a lot to Rachel Portman's Never Let Me Go and Hart's War. Also Zimmer: the Thin Red Line, King Arthur, Black Hawk Down...
special mention: Breach, Seven Pounds, Passengers...
lifetime achievement award: Memoirs of a Geisha, by the man himself, Mr. Williams.
And I do like a reward for writing -- cup of tea, glass of wine, meth-fueled crime spree... but when a story has me, I don't need anything but a pen.
Q: I've noticed you seem to work with a lot of the same actors and actresses in your work. Most recently with Chris Hemsworth in both the Avengers and your new film The Cabin in the Woods (also w/ Fran Kranz!)... Do you just enjoy working with these reoccuring faces or do you write parts with them in mind? Who are some of your favorites to work with? Also, it's my birthday and would be enamored if Joss Whedon wished me a happy birthday!
JW: Well, Happy Birthday. I don't write for my favorite actors (I can't create that way), but I sure don't mind slotting them in when I need someone awesome who knows my shorthand.
Q: Would you have brought Fred back if Angel hadn't ended with season 5?
Any regrets as far as stories, character developments that you were unable to do with any of the Buffy/Angel characters?
JW: Season six of Angel would have kicked all manner of ass. And Illyria would have manifested as Fred often enough to become very confused about her identity.
And now I'm sad again.
Q: Why did Wonder Woman fall through?
JW: They never really told me. But by the time it was looking grim, I was so burnt, and so excited about my next project, Goners, that was DEFINITELY going to happen, that I didn't mind.
Q: I was hella pissed at Comiccon during the Iron Man 2 panel when every single male cast member was asked questions, and Scarlet Johansson was only mentioned in passing "you're hot". Anyone with eyeballs knows she's hot, but she worked her ass off to get that role, and she took the time out of her busy schedule and faced nerd musk to support her movie. What are your feelings on this? Have you dealt with the hypersexualization of women in Avengers?
Also, you're the ____.
JW: All I can say is that Scarlett gets to do a lot more than be hot in "Avengers". It's definitely dispiriting to have a woman play an heroic role and then be reduced to body parts by fan commentary, but that can only change slowly. And is.
Q: Hi Joss! This morning instead of working on my dissertation I sat around and thought about what I could possibly say to you. Mostly, I just want to say thank you. Your work has made a huge impact on my life, especially your female characters. I know people always make a big deal about the women that you write and your feminism and I hope it's not redundant to hear it one more time, but once upon a time there was a shy, abused, closeted little kid who got hooked on Buffy, felt like she could kick ass too, and has loved your work ever since.
Thank you so much for your work, and for being a voice for so many wonderful things--feminism, atheism, lgbt issues, geekery and just damn amazing storytelling. I have no doubt your work has helped many people out there find the hope and courage to be themselves, just like me.
I would love to know anything about your personal motivations for being such a strong feminist, as well as your other positions on atheism, etc. Has being vocal about these positions ever been professionally difficult for you or caused you to lose work?
Also, I dearly love the whole rise of geek/nerd-centered media we see with people like you and Felicia Day, etc, it's so cool to feel like the geek/nerd community is producing great content outside of the mainstream media. I love the online and webseries-type projects, what do you see happening with the future of entertainment given these technologies? With all your latest big movie work, do you see yourself still being involved in these kinds of projects in the future?
JW: I'm absolutely devoted to working outside the mainstream, or at least in smaller venues and on my own terms. (My terms : unconditional surrender. Plus back-end.)
As for my political bent, it comes from how I was raised -- and my own very strong sense of being helpless and tiny and terrified (that goes away, right?). The only trouble it's ever caused me is that once you take a stance as a person, people are always using that as a yardstick in your work, which can be kind of limiting.
Q: Joss, I love your work. Firefly and Buffy are, in my opinion, two of the best shows ever made. I was also a big fan of Dollhouse. I don't really have a specific question, but I wonder if you can share any stories you have about working with so many excellent actors/actresses (Anthony Stewart Head, Nathan Fillion, Alyson Hannigan, Sarah Michelle Gellar, Christina Hendricks, Eliza Dushku)? I can't imagine there were many boring moments, so I know you have to have some great stories!
And for a more direct question: what is your dream project? I mean, if money and marketability weren't an issue in any way, what would be the first movie or TV show you'd make?
JW: I don't allow funny stories on set. They waste time. Time that could be spent in the writer's room, wasting time.
I have many dream projects. But all the money in the world means just one thing: spaceships. Spaceships in trouble.
Q: My question: I know that picking between beloved shows is probably like picking the favorite among offspring, BUT...
If you could pick ONE piece of work (one episode of any show you've done, or one movie) that would be used to represent your entire body of work - to be seen by children 100 years in the future, or to alien species who have discovered the ruins of our civilization in 100 thousand years, which would it be and why?
(Edited to add that in this fantasy scenario, if you cannot pick JUST ONE, that it will be picked for you and would be your LEAST favorite among your own work.)
JW: "Objects in Space."
Q: Any thoughts on returning to TV? Developing another show?
JW: I miss TV. Not the hours, but the format. If I felt I could actually do the work I set out to, I'd definitely go back for a spell.
Q: While shooting the Avengers how hard was it not to replace Captain America with Captain Hammer?
What was it like handling that many stars at once on the Avengers set?
Thank you for taking time to do this AMA! You are an amazing creator and continue to inspire people though your work.
JW: Handling that many stars was easy, because they looked after each other. They cared about the work. They one time did what I said (well, asked). No, it really was a dream ensemble.
And Captain America IS Captain Hammer. DON'T TELL CHRIS EVANS.