DarkArtist81
Super Freak
This was an article by Scott Kurtz, the creator of a web comic called PVP... It is basically talking about the struggle that artists go through internally when they attempt to make their art a legitimate business. If you replace the webcomic theme and put in Custom artists... you will see why I posted this.
It's a good explanation of why the bubble burst here at SSC, and why it seems like damn near all of the top customizers of the board have crumbled under our own weight. Very interesting read.
It's a good explanation of why the bubble burst here at SSC, and why it seems like damn near all of the top customizers of the board have crumbled under our own weight. Very interesting read.
Finding safe harbor...
Author: Scott Kurtz
Over the last couple of months, I’ve observed a sentiment rising among independent cartoonists. There seems to be a growing movement to separate the role of artist from that of businessman. People are looking to go back to the days when a cartoonist only had to wear one hat.
During the Zuda Comics panel at this year’s Comic-Con International, panelist Kevin Colden drove the point home in a gruff and troubled tone.
“From a creator’s perspective, it boils down to...I’m an artist, I want to be an artist. If I wanted to be a PR guy I’d be a PR guy, so...Do you want to spend your day drawing or do you want to spend your day doing PR?”
Over at dailycartoonist.com, editor Alan Gardner comments on what he sees as a “maturing” of the Webcomics Business Model, stating:
“I’ve always maintained that the webcomic business model will have successfully matured when it outgrows the do-it-yourself business stage that it’s currently in and support industries are able to move in and allow artists to do focus on being artists and businessmen take care of business.”
Hervé St-Louis, founder of The Comic Book Bin adds:
“Why does one assume that it takes years of training and practice to become a competent cartoonist or writer, while no one questions the fact that every day, some cartoonist thinks he can manage his own business, without having any business training and experience?”
He continues on, stating:
“I honestly think that perpetuating this ideal has slowed down the progress of many comic book properties in the past as many creators think of themselves as capable business heads when they are not.”
I myself am not immune to this line of thinking. PvP is over 11 years old and has grown to a size where I feel like I’m drowning in responsibilities I don’t want. As a one-man show (with considerable help from the wife), I feel often that it would be nice to just focus solely again on my art.
On a daily basis, I talk to my peers and colleagues and find we’re all in the same boat. As our businesses grow, our time to create wanes. We could all use some help. But where should we turn for it?
We’ve certainly broken into two distinct camps over the subject lately: Those looking to sign up with a larger publisher or syndicate who can take on the business end of things, and those looking to do it all themselves.
During the 80’s, black-and-white independents lead a whole movement of thought, teaching artists and writers they didn’t have to settle for work-for-hire conditions. Then the Internet came along and completely leveled the playing field, allowing us to remove not only the publisher, but the distributor and other middlemen from the equation.
Could it be that the pendulum has reached the end of this arc and must inevitably swing back in the other direction towards more traditional models? Maybe we’ve gone as far as do-it-yourself can go.
If the gap between business and creative responsibilities continues to widen -- after having been so nearly bridged -- if independent artists decide to find more ways to remove themselves from the responsibilities of running their own businesses, how can we make sure we don’t return to a time where we lose all our power and ownership in the process?
Can we find a safe harbor in the middle?